Cross Canadian Ragweed Reunites to Co-Headline Massive Show with Turnpike Troubadours in April 202510/1/2024 Nashville, TN-(Tuesday, October 1, 2024)-Today “them boys from Oklahoma” confirm that the rumors are true. Cross Canadian Ragweed and Turnpike Troubadours will co-headline one of the biggest shows of the year at the Boone Pickens Stadium in Stillwater, Oklahoma on April 12, 2025. A reunion of epic proportions, the show will additionally feature the who’s who of Red Dirt music icons including The Great Divide, Jason Boland and The Stragglers and Stoney LaRue. Tickets go on sale October 11th, with pre-sales beginning on October 7th at 10:00 AM Central. Tickets can be purchased at www.okstate.com/concert.
Sign up to get your pre-sale password at www.theboysfromoklahoma.com from October 1st through October 5th. "The thing that sticks out the most to me about Ragweed was all the people that we met. People that I'm still friends with, from Portland, Oregon, to Ybor City, Florida, and from New York to San Diego. That's why there's a part of me that never wants to quit doing this. I'm nostalgic for that. I think that everybody should have a little nostalgia in their life. So, let's get together, and let's make sure that we sound really good, and let's make people smile. Let's make ourselves smile, and let's make McClure and Jason and Stoney and the Turnpike boys smile too." -Cody Canada “We are excited to bring the first ever concert to Boone Pickens Stadium this spring and look forward to hosting this fantastic Oklahoma-based lineup in the home of the Cowboys. We are grateful to the team at DMG for helping make this happen. This show will benefit OSU’s NIL efforts, and will also be a great event for our student-athletes, student body, alumni, fans and the community of Stillwater.” - Chad Weiberg, Director of Athletics/Oklahoma State University For over a decade Cross Canadian Ragweed, a wildly influential indie country rock band from Stillwater, Oklahoma, dominated the touring circuit with sold out shows from coast to coast, amassing millions in touring revenue and sharing bills with some of the biggest names in music. Their fan base grew vastly beyond all borders, genres and demographics to what might be considered a cult following that included rockers, cowboys, hippies, executives and college crowds. It became a well-known and shared opinion that if Ragweed was coming to your town, that was where everyone was going to be. The onstage chemistry between Cody Canada, Jeremy Plato, Grady Cross and Randy Ragsdale was a recipe cooked up from childhood, a captured lightning bolt that shocked the system of every person in the crowd stunning them into a reverie. The love and support from fans were so enormous that you could almost hear hearts breaking when they disbanded in 2010, playing their last show at Joe’s on Weed Street in Chicago, Illinois. For the last 15 years those familiar stages have been void of that “thing” that only Ragweed could deliver, but their loyal bevy of fans and peers has continued to carry their torch. Frontman Cody Canada recently received a huge dose of that sentiment when he stood on the legendary stage of the Ryman Auditorium in Nashville listening to a packed room sing Ragweed favorites back to him. That kind of love and loyalty for a band that has not been together for so many years could no longer be denied. It was clear to Canada that it was high time to give back to the people who have given so much to them. On September 15th the Stillwater band reactivated their social media pages for the first time since 2011 with a cryptic image that sent fans into a frenzy immediately sparking rumors all over the digital landscape of a possible reunion show. With this official confirmation the excitement has reached a deafening clamor, fans overwhelmed at the chance to not only see, once again, one of the most notorious bands to ever come out of the renowned Red Dirt music scene, but also to lose themselves completely in the pure nostalgia of it all. The rise of the genre is well documented by Oklahoma native and Rolling Stone magazine contributor Josh Crutchmer in his previous book Red Dirt: Roots Music Born in Oklahoma, Raised in Texas, At Home Anywhere. On December 13, 2024, Crutchmer will release his new book Red Dirt Unplugged: Singers, Songs and Stories Shining a Spotlight on Heartland Roots Music with the foreword written by Canada himself, and the final chapter featuring all four members of Cross Canadian Ragweed discussing this comeback concert, marking the first full-band Ragweed interview in more than 15 years. Red Dirt Unplugged is the view from the wings as the Red Dirt music scene reaches heights with artists enjoying sustained worldwide attention at a large scale for the first time in history. Growing up in Oklahoma, Crutchmer had a front row seat to it all and shares his perspective through an endless stream of artist interviews, side-stage musings, and thoughtful, old-fashioned concert reviews. www.reddirt-unplugged.com From Dierks Bentley’s song “Free And Easy” in 2006 where he sings "Ragweed's rockin' on the radio" to Koe Wetzel’s 2019 song “Ragweed” where he sings about missing the band to the 2021 album The Years: A MusicFest Tribute to Cody Canada and the music of Cross Canadian Ragweed to references to the band’s music in two different Stephen King novels, the deep impact of the band’s music and influence has never been allowed to fade, rather it has been memorialized and preserved for the existing populous of fans and the coming generations who will no doubt one day discover the band that “smells like country, tastes like rock n’ roll.” Cross Canadian Ragweed released a total of 10 albums from 1998 until 2010. Their music has been featured in commercials, TV shows and films, and the band has toured with artists including ZZ Top, Lynyrd Skynyrd, Sammy Hagar, Jonny Lang, Robert Earl Keen and Dierks Bentley. Their first four independent releases (Carney, Live and Loud at the Wormy Dog Saloon, Highway 377, Live and Loud at Billy Bob’s Texas) were well received propelling them into wider audiences and a heavy tour schedule. In 2002, the group signed with Universal South Records and released 5 studio albums during their time on the label (The Purple Album, Soul Gravy, Garage, Mission California, Happiness and All the Other Things). The band charted multiple singles on the Billboard charts including "Sick and Tired" with Lee Ann Womack on backing vocals, “Alabama,” “17,” “Constantly,” “Fightin’ For,” “This Time Around” and “Cry Lonely.” www.crosscanadianragweed.com www.facebook.com/crosscanadianragweed www.instagram.com/crosscanadianragweed25/
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It has been almost 5 years since TDC shuttered. In that time, I finally landed my (outside music) dream job/calling as a Nurse Practitioner in Corrections. I absolutely love my career and can honestly say that I look forward to going into work every day. But while I love that career, I also still love music. A lot. It's the one constant in my life, as I am sure it is in many of yours. It's there in good times and bad - a song for every occasion. It's the excitement of a new record, the nerdiness of fawning over album artwork and reading liner notes, the elation of finding someone whose vocals and lyrics stir your soul and make you feellllll, or the adrenaline rush of seeing a live show (whether in the pit or a seat) that brings a genuine smile to my face and joy to my heart. So, let's see if we can reignite this site into something......not spewing out press releases (unless they're something truly noteworthy) and covering everyone under the sun, but sharing what makes my musical heart happy and hopefully yours too.
XO Tara NASHVILLE, TENN. (February 28, 2020) — Individually, Country mainstays RANDY ROGERS and WADE BOWEN have racked up countless career milestones. Together, the pair has two decades of friendship and collaboration under their belts. Ready to mark the next chapter in their musical partnership, Rogers and Bowen are set to pop the top on their latest studio album HOLD MY BEER, VOL. 2 on May 8. Available for preorder today (2/28), the 10-track project serves as the long-awaited follow-up to their critically acclaimed collaborative debut, HOLD MY BEER, VOL. 1 (2015), and fan-favorite live album, WATCH THIS (2016). Produced by the legendary Lloyd Maines, this new offering features all unreleased tunes which not only highlight the pair’s undeniable camaraderie, but also showcase their songwriting and musical prowess. Tues. & Wed., April 7-8 • NEW YORK • City Winery 25 11th Ave. Showtime: 8 p.m.; Tickets: $60-$80 (on sale now) LOS ANGELES, Calif. — Singer-songwriter Colin Hay, beloved for his intimate, acoustic live shows, but most widely known for being the influential and celebrated Men at Work frontman, is hitting the road for an extended solo tour celebrating all of his albums, plus songs from a forthcoming mid 2020 release. On these upcoming dates, Hay is offering fans the option of a VIP upgrade to include a meet and greet to benefit the New South Wales Rural Fire Service in Australia. Hay shares vivid personal recollections hereabout owning a special piece of land outside the village of Cobargo, NSW, where he wrote one of his biggest hits, “Who Can It Be Now?” Click HERE to go to his website and for directions to purchase meet and greet tickets. “Cobargo, at this very minute, like so much of Southern NSW and parts of Victoria, is in trouble, big trouble,” Hay says. “I’m about to head out on a solo tour across the U.S., from February through May. This year is the first time I’m doing what they call ‘meet and greets’ before the performances. People pay extra money to say hi and hang a little before the show. All of the proceeds of these will go to the NSW RURAL FIRE SERVICE.” Since the release of 2017’s Fierce Mercy, Hay has kept busy. A song he wrote for Ringo Starr “What’s My Name,” not only made its way onto Ringo’s latest album but also became the LP’s title track. Hay toured internationally with Ringo Starr & His All-Star Band in 2018 and 2019 as well as through Europe as Men at Work, performing the band’s many hits, including “Down Under,” “Overkill,” and “It’s a Mistake.” He also toured Australia and the U.S., fronting the Colin Hay Band. In theatrical highlights, he made his Melbourne Theatre Company debut playing Feste in Shakespeare’s Twelfth Night. He’s also working on material for a new 2020 album release on Compass Records. “If you’re coming along to a show and you’re thinking about splashing out for the meet and greet, go for it,” Hay says. “And know that your hard-earned is going to support a great and honorable organization, made up of brave people who risk their lives in the face of ever-more-furious fires.” February 27, 2020: Today, the Austin, TX-based country rock band Reckless Kelly released “North American Jackpot,” the first single and title track from their upcoming album American Jackpot (out May 22 alongside their album American Girls). Listen to “North American Jackpot” via YouTube: https://youtu.be/v9_FMj8-EJ8 “Writing ‘North American Jackpot’ I kept hitting a wall with the verses and the theme,” says Willy Braun, who co-founded Reckless Kelly with his older brother Cody Braun and drummer Jay Nazz in 1996. “Trouble was, I kept going back to my first idea, a story about my grandparents, which wasn’t really going anywhere, but I couldn’t get away from it. I thought, I’d have to scrap this one till it made sense… the problem was, I’d already started writing the rest of the album and was close to being finished, but the title track, 'North American Jackpot’ wasn’t close to being completed, and far from the cornerstone it needed to be. I called Jeff Crosby, songwriter extraordinaire from the Gem State asking for help. The next day he sent a nearly perfect first verse that got me out of the rut and on the right track. I wrote a second verse almost immediately and we polished it up in Boise a couple weeks later. I had my cornerstone.” May 31 Appearance at Mountain Jam, Warren Haynes Curated Festival in Bethel, NY, Site of Original Woodstock https://mountainjam.com/daily-lineup Official Showcase Artist at SXSW, Thursday March 19 at Saxon Pub https://www.billboard.com/articles/events/sxsw/8547948/sxsw-artists-showcase-lineup-2020 “Emerging Americana artist exploring themes of love, loss, and redemption” - Relix Brooklyn, NY: Offering a nightly revival that echoes the everyman vibe of Tom Petty while conjuring the gut-busting grooves of Drive-by Truckers, roots rock act Kevin Daniel & The Bottom Line have been added to a series of spring festivals including SXSW, Listening Room Festival in St.Petersburg, FL, and Mountain Jam, a 3-day fest curated by guitarist Warren Haynes and Radio Woodstock. Taking place May 29-31 at Bethel Woods Center for the Arts in Bethel, N.Y., the site of the original Woodstock in 1969, the 16th annual edition includes Jason Isbell, Brandi Carlile, The Head and The Heart, Greensky Bluegrass, Margo Price, Grace Potter, Yola, The Band’s Levon Helm, celebrating his 80th birthday, two sets by Haynes’ band Gov't Mule, and Phish kingpin Trey Anastasio. January 24, 2020: Today, Grammy-winning songwriter Dan Wilson continues his string of monthly single releases with "Eventually," his first new song release of 2020. Listen to "Eventually" via YouTube: https://youtu.be/vQto1vM3RzY "'My newest single is called 'Eventually.' It’s an epic myth about two modern road warrior lovers, racking up the sky miles; quelling volcanoes and floods far from home or waiting by the door. I’ve played both roles," explains Wilson. "Lately I’ve been trying to make recordings that situate a homely upright piano within a weather system of ambient synthesizer. I think that suits the message of 'Eventually' pretty well." Sadler Vaden is set to return with Anybody Out There? on March 6, 2020 via Dirty Mag Records / Thirty Tigers. The highly anticipated follow-up to his 2016 self-titled debut, Anybody Out There? was self-produced by Vaden, engineered by multi-platinum producer Paul Ebersold, and mastered by Grammy Award-winner Richard Dodd. It sees the acclaimed instrumentalist at his most adventurous with melody-driven tracks backed by supersized electric guitar and hook-savvy songwriting that deals with the challenges of creating a true human connection in a technology-obsessed world. Featured within the 10-song set are co-writes with Aaron Lee Tasjan (“Peace + Harmony”) and fellow guitarist Audley Freed (“Anybody Out There?”). Today, album standout “Golden Child” is premiering exclusively at The Boot ahead of its worldwide digital release tomorrow. Opening with an “instantly catchy guitar riff,” the track features fellow 400 Unit member Denny DeBorja on a Wurlitzer electronic piano and can be heard now HERE. Of writing the song, Vaden offered, “I chose to write about this person who's been very privileged, who's had that kind of upbringing, but is trying to exist as a person, who wants you to know he or she doesn't have everything.” In addition to sharing the new single, Vaden has announced a string of tour dates to follow his hometown album release show at Nashville’s Mercy Lounge on March 7 with more to be added soon. Please see below for full tour details. PARSONSFIELD FIND JOY IN SYNTHS, LOOPS AND WARPED PIANOS on 'HAPPY HOUR ON THE FLOOR' out April 3rd1/29/2020 (New York, NY): Parsonsfield - New England’s beloved creators of “the most jubilant and danceable indie roots music this side of the Carolinas” (NPR Music) - will embark on a new era of their career with the April 3 release of Happy Hour on the Floor, their new LP out on Signature Sounds. Produced by Benjamin Lazar Davis (Okkervil River, Joan As Police Woman). Known for their rustic and stirring sounds and warm harmonies, the four-piece rockers now add dreamy synthesizers, hypnotizing loops, warped pianos (borrowed from a band member’s childhood home), melodic fuzz, and vintage drum machines to make upbeat American music that’s more groovy and danceable than any of their previous work.
Happy Hour on the Floor opens with “Paper Floor,” a love story between two striving young professionals who come together in New York City. When money and social status become the foundation of their relationship, it’s like living in a high rise apartment with the titular ‘paper floor.’ Watch the band play intricate paper instruments in the music video on WNYC’s New Sounds: https://www.newsounds.org/story/weekly-music-roundup-grammys-debrief-katie-gately-and-mitski A singer/songwriter, multi-instrumentalist, and dedicated road warrior, Parker McCollum began building a following in his native Texas with 2015's The Limestone Kid. The album track "Meet You in The Middle" became a hit on Texas' regional radio chart — no small feat for an independent, 22-year-old musician — but it was the album's widely-acclaimed follow-up, Probably Wrong, that helped Parker find national success. Compared to John Mayer and Jason Isbell by Rolling Stone, Parker supported the album with a string of sold-out shows, bringing record-breaking crowds to venues like San Angelo's RiverStage and two sold-out Billy Bob’s (May and December 2019) along the way.
Born in Conroe, TX, and currently based in Austin, the 27-year-old entrepreneurially-spirited artist bridges the gap between Texas' homegrown music scene and Nashville's country-industry headquarters. His songwriting, which has been hailed by The Austin Chronicle for "carrying on the traditions of Texas music without pretension or referring to pickup trucks," earned him a publishing deal with Warner/Chappell Nashville in May 2018 and a recording deal with Universal Music Group Nashville in June 2019. Parker’s newest track, “Pretty Heart,” is available everywhere now and precedes his major label debut LP, in 2020. Follow Parker McCollum: Website: www.ParkerMccollum.com Twitter: https://twitter.com/ParkerMcCollum Instagram: https://www.instagram.com/parkermccollum/ Facebook: https://www.facebook.com/ParkerMcCollumMusic/ |
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