Kellen of Troy's 'Posthumous Release' Available Now

Guys, this album isn't easily classifiable, it's just damn good. So stream it above, then buy it and support good music.

Nashville-based Kellen of Troy (aka Kellen Wenrich) has officially released his debut LP, Posthumous Release.  

Early in his youth Wenrich realized he didn't have the physicality for sports. He decided music was just as good as baseball and took up violin in school. The instrument became his constant companion. He became a member of nationally successful band Apache Relay. It was through the dissolving of the band and some personal break-ups that he began formulating the material for his own band Kellen Of Troy.

Kellen's complex musical philosophizing is best represented in the track "Chosen Kind." A song he began writing about the exploitative use of the gospel to sell albums. He laughs, "It would be nice to buy into this thing… Jesus take the motherfuckin' wheel already." On the track, an in-pocket rhythm section play with a heavy bass line to hold down Kellen's anti-gospel rock 'n' roll. He sings, "...I'll come to Jesus when addiction kicks in, I'll come to Jesus when I'm out of control, but I can function pretty well on a binge, be a while ‘til I get that low, you know I got some time, to become the chosen kind..." It's some of the most brilliant bible-belt rock on the album.
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The new album opens on jangling guitar, piano, and Kellen admitting "The only power that I wish to wield cannot be found in some ivory tower, I wanna rule your heart, my dear." A bawdy acoustic piano riff opens the romantic "When You Don't Hear Goodbye," a healthy dose of irony wishing for the last word in a breakup. "I wish I got a piece of her mind, sayin’ I can't believe I fell for your kind, but I didn't get nothin she just left me behind, it's so much worse when you don't hear goodbye." This self-aware style of storytelling in his songwriting is what makes an album about some very dreary ideas – the absence of god, or any significant other — into a very fun ride.

Kellen's obvious influences include Neil Young, The Beatles, and Simon & Garfunkel. Conceptually, though, Kellen Of Troy is closest to Big Star. Kellen trades in emotional resonance, and every factor of his music from his wry lyrics, to the delicately layered guitars are built to evince timelessness. Wenrich is plying in painful, personal idiosyncrasies, turning them into thoughtful songs about love lost.

While country music is also an influence it's not readily apparent until "Great Heartbreaker," essentially a double time honky-tonk. Electric, acoustic, and keys strike the heart strings for a powerful chord on this rocker. Likewise, Kellen's bluegrass and violin past are subdued, but they are evident on the title track where a violin weeps quietly, with a touch of vocal reverb to give a sense of distance, and a telecaster riff to seal the deal. The pedal steel is used mostly for soundscaping effect but it makes a fantastic statement on "The Golden Rule" with an ingenious riff on the bridge. These small details combine over the listen of this true cover-to-cover album, and it seems almost unbelievable that it was recorded at home with the help of friends.

Kellen of Troy is a country cousin of glam-rock, mixing spirited pop with rock shuffles. Wenrich writes serene love songs, stitching interesting twists into each of his works. It's this detail that will make Kellen Of Troy's Posthumous Release --an album of tastefully adorned folk-rock with an attitude-- one of the must hear albums of 2018.