Read her interview in The Tennessean HERE Singer/songwriter Gretchen Peters has released her new album Dancing With The Beast. A collection of songs which give voice to powerful stories of personal struggle, loss, doubt and redemption, the record has already generated acclaim from publications such as Rolling Stone Country, Taste of Country, Digital Journal, and more. "I admire characters that are heroic in a very quiet, kind of stoic way," says Peters. "They don't do overtly heroic things, but just the act of persisting in a life for a long time to me is very heroic and very human... They're persisting and in their persistence there's a heroism that may be quiet and easily overlooked. I find it really inspiring." Dancing with the Beast puts female characters at the fore, from teenage girls to old women, and intentionally so. With the 2017 Women's March and #MeToo Movement as bookends to her writing, Peters knew that a feminist perspective would be the critical core of the record. “Those two events just put everything -- as so many things in 2017 -- in really stark relief,” she admits. “You can trace the feminist DNA in my songwriting back to 'Independence Day' and probably before. The thing that 2017 did is just put it front and center. It was very easy to kind of go to sleep for a while and just not think about that stuff because we were lulled into complacency for eight years.”
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TULSA, OK | MAY 18TH, 2018 - Based in Tulsa, Oklahoma, rock band NeoRomantics blend well-structured indie rock with emo elements on their brand new EP “Homecoming,” out TODAY on all streaming platforms. The 5-track collection acts as a beautiful contrast of sorts; while arranged much like a pop record, it is far from one. The record’s lyricism delves into an array of personal topics about relationships, including abandoning those that are toxic, growth, and parental influence on trust. “Homecoming” is the perfect display of the band’s eclecticism, particularly the lead single “Concentrated,” initially released in January. A well-produced and sleek combination of 2000’s emo and mainstream indie rock elements, “Homecoming” is sonically pleasing to the ear, heavy on the heart, and simultaneously thought provoking. (Press Release) Cut Throat Finches. An ironic name for a tiny bird, and conversely, for a Texas band with a giant sound. Singer-songwriter Sean Russell, a proud resident of the Ft Worth music scene, formed the band mid-2015 with a group of much-lauded players from the area. Cut Throat Finches lay out a songs that bring to mind a soundtrack to an epic film in a style inspired by their heroes in the British rock scene and American roots music. The band, signed to the critically acclaimed Hand Drawn Records, a cutting edge pressing plant and record label in Dallas, will release Polite Conversations (their 2nd album) on May 25th, celebrating with local area release parties and summer touring. Russell tells us the tale of the making of the record for the first time. “When I was a kid and I broke a neighbor's bird feeder, then lied about it to my mom even though she already knew I had done it. She delivered the soul crushing words to me that I will never forget, the classic “I expect more from you”. Well, I expect more from this country. I love this country, and I served in it’s Army. I refuse to believe that my friends who gave their lives, did so for this broken, paranoid State. It would be a disgrace to believe that the country we have become is the best we can do and not to expect more. Just as my mom expected me to behave better than I had, it would be insulting to believe that our behavior as a nation should not be better, and we cannot rise to a higher standard. This rotten feeling, the discontent, the consternation rose late in recording our first record, Reality. Sometimes literal hours would be lost where Taylor Tatsch and I would be reeling from the shock of what we were not only seeing from our panel of presidential candidates, but from the conversations around the politics. NEW YORK -- May 18, 2018 (Press Release) -- With her new album North, Chicago songwriter Heather Styka combines folk and pop sensibilities while tackling relatable themes of inclusion, belonging and civic responsibility.North is out today, and is available everywhere. The Bluegrass Situation premiered the album, which cuts deep into the issues, combining the lyrical intricacy of folk, melodic pop sensibility and the grit of classic country on songs that are both equally smart and disarming. North was recorded at Styka’s family lake house in northern Wisconsin with Danish backing band The Sentimentals, who have made a name for themselves accompanying Americana artists including Jonathan Byrd, Anna Egge, and Slaid Cleaves. In a matter of days, sequestered in a small log cabin on a lake, Styka and the Sentimentals recorded the entirety of North, tracking most of the album live as a full band. Today, Low Cut Connie release Dirty Pictures (Part 2) via Contender Records. For their fifth and most fully-realized album to date, the band travelled from their home turf of South Philadelphia to the legendary Ardent Studios in Memphis, TN where they cut their critically-acclaimed 2017 release Dirty Pictures (Part 1). Stream Dirty Pictures (Part 2) here: http://smarturl.it/dirtypicturespart2 NPR featured the band on Morning Edition with NPR Music critic Ann Powers claiming "[Adam] Weiner's songs share something in common with Bruce Springsteen's. 'He's looking at characters who are a bit on the edge, but who are also all-American,' she says. 'This is classic stuff, from Steinbeck to today. And he taps into that on this album in really tender, moving ways.'" Say What You Will … Everything Can Happen and Made To Be Broken reissues are produced by Twin/Tone veteran Peter Jesperson. Both contain unreleased tracks, unseen photos and memorabilia, and liner notes by Robert Vodicka and Gina Arnold, respectively. MINNEAPOLIS, Minn. — Soul Asylum first hit the Minneapolis music scene in late 1981. Core members Dave Pirner, Dan Murphy and Karl Mueller met at local punk rock shows. With all the incredible bands they saw in those days, like Hüsker Dü and The Replacements, it was daunting for them to share the same stages but, ultimately, it inspired them to work all that much harder. Soul Asylum stood out immediately because of that work ethic and their smart, punky hard rock sound.They made four records for hometown label Twin/Tone Records before moving on to the majors; first A&M, then Columbia, where they scored two platinum albums and won a Best Rock Song Grammy® for “Runaway Train.” They even played Bill Clinton’s 1993 inauguration gala. The first two Twin/Tone releases, 1984’s Say What You Will . . . Everything Can Happen and 1986’s Made To Be Broken, both originally produced by Bob Mould of Hüsker Dü, have been remastered and thoughtfully expanded by Omnivore Recordings and are due out July 20, 2018. This reissue of Soul Asylum’s debut, Say What You Will . . . Everything Can Happen,collects the original album, plus rare outtakes and demos from the band’s early years, including an unreleased song and many long-out-of-print tracks. The packaging provides an array of never-before-seen photos, artwork, and hand-written lyrics from Pirner’s collection. It also includes a brilliant historical essay, written by academic Robert Vodicka, that illuminates Soul Asylum’s lasting importance.
Fresh off the January release of his EP Worktapes, fiercely independent singer-songwriter Ron Pope returns with the emotionally shattering acoustic ballad, "The Weather." Featuring the perfect triad of Pope's and Phoebe Bridger's breathy vocals, which blend as smooth as your favorite cocktail, and Jeff Malinowski's reserved, impactful guitar work, "The Weather" lays bare the feelings of lovers who, despite potential storms, make headway to try and find their way back to one another.
"I tried to find you on your birthday I called up your mothers house She swore that she hadn't heard from you a And asked why I don't come around Then my sister saw your cousin at a bar on Christmas Eve She said you don't wanna hear from me"
Pope had this to say about the track, "The Weather" is about that crazy "you'll probably ruin my life but I want you anyway" kind of love. I don't know about you, but I've certainly been down that road a time or two. This recording was the last thing we worked on when making the album. I love Phoebe Bridgers' voice and Jeff Malinowski's guitar playing; this is just the three of us with nothing else to distract from the song. I've been saving this for months, waiting for the right moment to share it. Nothing says "Song Of The Summer" like a heartbreaking, acoustic ballad! "
While "The Weather" may not be that traditional bouncy song of the summer people tend think of, it's an undeniable contender for song of the year. Listen to, and share, "The Weather" above. For more information visit: Website/Facebook/Twitter/Purchase
Known in the LA music scene for her smoky voice, memorable melodies, and thought provoking lyrics, Clare Means is prepping the release of her fourth studio album, Sidewalk Astronomy. Due June 8th, the forthcoming album is a cohesive patchwork of musings on life in Los Angeles, love, forgiveness, and the recent loss of her estranged father. Clare notes, "Most of the songs were written over the course of a couple years and were sparked by a variety of moments in my life...the day I found out my father was sick, when I fell in love, when I knew my relationship was doomed, when I got my heart broken, the day my father died, and when I woke up from a strange dream about sheep."
Today, TDC is honored to premiere the break your heart wide open ballad, "Guts." Led by reverb-drenched guitars, aching strings, and Means' ethereal vocals, delivering lyrics with wrenching honesty, "Guts" hits the emotional bullseye delivering crystal clear realizations about toxic relationships, the need to let go, and a love that ceases to fade despite the circumstances. Means notes, "Guts" is a confused break up/love song about loving someone so much that you love them even when you hate their guts." "I loved you like a lover You were my best friend I'll love you forever But this has got to end 'Cause a love never felt so good And a love never hurt so much I'll always love you baby Even when I hate your guts" Stream, and share, "Guts" above and for more information visit: www.claremeansmusic.com www.facebook.com/claremeans https://www.instagram.com/claremeans/ https://www.periscope.com/claremeans/ https://www.twitter.com/claremeans/ https://www.youtube.com/claremeans/ Tahlequah, OK (May 15, 2018 Press Release)-The 6th Annual MEDICINE STONE music festival heads back to Diamondhead Resort in Tahlequah, Oklahoma September 20th through September 22nd. This unique three-day live music retreat on the beautiful Illinois River stands alone as the premier Red Dirt music experience, a genre that has long been revered worldwide for its diverse sounds and quality of music. This year the event creators have added 30 acres of landscape for more space for camping as well as two additional reserved prime camping areas. Tickets for the 6th Annual MEDICINE STONE will go on sale through the event’s website on June 1st at 9:00 AM CST. Music fans are encouraged to snag their tickets early as the prime camping and RV spots, onsite lodging and hotel rooms sell out within hours. Single day tickets go on sale August 1st. www.medicinestoneok.com. Listen to “Another Mother’s Son” here May 16, 2018 (Press Release) Singer/Songwriter Phil Cook is gearing up for the release of PEOPLE ARE MY DRUG, a collection of roots and gospel-infused songs written with a common message of community in each track. PAMD comes out June 1 on Psychic Hotline/Thirty Tigers. Pre-order PEOPLE ARE MY DRUG here. Cook’s newest single is “Another Mother’s Son,” a modern-day civil rights song about police shootings, and a plea for community in a world full of disconnect. Cook enlisted another Durham NC hip hop artist and slam poetry-champion Kane Smego to help write this deeply personal track. |
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