The singer-songwriter, whose 1971 debut is a power-pop classic, was joined by special guests Roger Joseph Manning Jr. & Jason Falkner of Jellyfish, Nels Cline, Aimee Mann, Susanna Hoffs, Jon Brion, Bleu, and members of Brian Wilson’s band. LOS ANGELES, Calif. (Press Release)— Emitt Rhodes began his career in his teens, as drummer for the SoCal band the Palace Guard. He eventually took the reigns as leader of the Merry Go Round, who scored pop hits with “Live” and “You’re a Very Lovely Woman” in the late 1960s. At the release of his critically acclaimed eponymous debut in 1971, he gained a reputation as a “one-man Beatles,” since he wrote, recorded and produced the album in his home studio. But then, the way many music stories unfurl, after battling bad contracts and industry demands, Rhodes saw his last release, Farewell to Paradise, in 1973. Emitt Rhodes never recorded another full-length LP. Until now. On February 26, 2016, Omnivore Recordings will proudly release Rainbow Ends, Emitt Rhodes’ first new studio album in 43 years, on CD, Digital and gatefold, colored vinyl. A PledgeMusic campaign has been set up for pre-orders, offering exclusive collectibles, the album itself, and even a day in Rhodes’ studio. Details are available at www.pledgemusic.com/emittrhodes After connecting with producer Chris Price in 2013, Rhodes revived his home studio with help from Price and an all-star band, all of whom had been enamored of Rhodes’ work: Roger Joseph Manning Jr. and Jason Falkner (both solo artists, members of Jellyfish, and currently in Beck’s studio and touring band), indie producer and musician Fernando Perdomo, Rooney’s Taylor Locke and New Pornographers’ drummer Joe Seiders. They would cut the new record live in that space.
More special guests appeared to make this momentous release even more special: Aimee Mann,Susanna Hoffs (Bangles), composer and producer Jon Brion, Wilco’s Nels Cline and Pat Sansone, Bleu, and Probyn Gregory and Nelson Bragg from Brain Wilson’s band, among others. What was achieved is more than what folks thought would ever happen. They made Emitt’s first full-length in more than four decades. Rainbow Ends is the album generations have been waiting for. Eleven new tracks for longtime fans who’d held onto their out-of-print ABC albums, for those who found out about Rhodes via “Lullaby” being featured in The Royal Tennenbaums, and for the uninitiated who’d heard their favorite artists and friends rave about his small, but truly vital and influential catalog. An Emitt Rhodes showcase at SXSW 2016 will be a highlight of the annual music festival, and more dates are in the works. Producer Price says, “I view this as a continuation album, meaning it isn’t meant to be recreating the sound from his first record, but instead what he might have sounded like after his third album,Farewell to Paradise, if he kept making music in the mid-to-late ‘70s.” According to Rhodes, “I had a spurt there, you know. I just wrote a whole bunch of songs. I’m just gonna write what my heart tells me, because that’s the only thing that really matters, isn’t it? Sometimes you don’t know, and then the light goes on and you do know. “The music is very good on this record. I think that these guys are all wonderful players and there’s all sorts of interesting stuff. I hope people like it, and I want you young guys to be able to get your due. “I think whenever it happens, it happens on time.” It’s rare to have your dreams come true. For many, a new Emitt Rhodes recording has only been a fantasy. In 2016, the Rainbow Ends at a true pot of gold. Track Listing: Dog on a Chain If I Knew Then If It Isn’t So This Wall Between Us Someone Else I Can’t Tell My Heart Put Some Rhythm to It It’s All Behind Us Now What’s a Man to Do Friday’s Love Rainbow Ends Watch the Emitt Rhodes Pledge Music trailer: https://youtu.be/vwklFEv0Z68 The Wall Street Journal premiered a track from the album, "Dog on a Chain": http://on.wsj.com/1MDuVLR
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