Tellico’s bluegrass sound is organic and earthy, embodying a true “Appalachian” feel. Storytelling, while at the forefront of their music, is adequately supported by unique voices (Stig and Anya share lead vocals) that wrap you with a sense of intimacy and security as well as instrumentation that plays a key role in setting and expressing the atmosphere of the songs whether it is the pedal steel or fragile mandolin. All of the songs on Relics and Roses were written by Hinkle and Stiglets-except the closing medley, a bluegrassified version of Neil Young and Crazy Horse’s “White Line-River of Pride”-and deal with themes of life, love, family, and tragedy.
Opening the record is “Backstep Blues” a song about a man pulling away from his wife, hence leaving her with a sadness. It’s a melody that instantly makes your ears take notice and stay attentive for the remainder of the record. That is followed by the vivid, detailed, dark tragedy at sea, “Calamity,” which was sparked by Hurricane Katrina and the 2011 Japanese tsunami. “Can’t Go Home Again,” inspired by the Thomas Wolfe book of the same name, reminds that sometimes home, while a lovely idea, might not be so lovely once you get there. “I Want To Know” has a gentle cadence and lovely harmonies while the simple, beautiful “Forsaken Winds” makes you feel like she could be singing a poem. Everything isn’t all seriousness though, the tone is lightened with the spirited “Hawkeye Pierce and Honeycutt Blues” and “Lean Into It” in which he tells his cheating love “you used to bake me cakes and apple pie, but now you feed me leftovers, tell me your dirty damn lies.” Personal favorite “Morning Haze” and “Mexico 1995,” a coming of age tale, round out the record.
Relics and Roses is a record that you be will be drawn to not to simply listen, but to actively listen. While timeless and authentic are words you hear describing music quite often, here they both ring true.